In the realm of cultural studies, there has been a certain amount of attention placed on the theme park in relation to cultural display. There are also some points of great contention here. While some scholars will insist on the separation between theme park as permanent celebration , and tourist sites devoted to historical re-enactment, there are others who consider this difference negligible. At some point, this is the crux of the argument that makes the field as vital as it is becoming. While these finer, or blunter, points are part of the milieu of conversation, they point to a more substantial notion.
That notion being the need for a separation, or arguments against it, is the most exciting possibility. It doesn’t necessarily lend itself to easy discussions of the place of theme park accidents in relation to the imagination, but it does reflect a very old philosophical conundrum. It is, in fact, that very same all or nothing impulse that lead to the mind and body problem. While it may not exactly entice the general public the way a theme park can, it does provide for a rather wide entrance for scholars coming from a vast background of discipline and focus, and might be one of the more engaging conversations of the new century.